![]() ![]() ![]() ![]() The eloquence of endo’s drawings veers from ambiguity as names and labels dot her works to inform her audience of the purposes the rooms, objects, and fixtures anchor. ‘ when you open the guest room door, the first thing that comes to your eyes is the beautifully tiled bathtub and the city view of akasaka over there! the migratory plan centered on the closet was excellent because it was easy to use because the front and back could be switched properly, ’ she writes on her instagram about her guest room sketch of the okura tokyo hotel. today, her keen eyes observe the lines and details that make up design and architecture, and rather than saving these traces, she recreates them through watercolor drawings. in this paper, the architectural designer details the hotel rooms, features, and fixtures around japan, a seeming reflection of the accommodations’ original blueprints.īorn in kanagawa prefecture in 1992, the architect and color coordinator worked at an architectural design office and as a color-scheme forefront. Kei endo’s desk, an artist’s den: watercolor palette on the side, smudged colors after a thousand dabs of paintbrush and water droplets, gel pens and sharpened pencils, strips of paper with vibrant highlights and the colors’ name, and a sheet of paper taped on the desk. ![]()
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